John Taylor, at the Warrior Forum, asked a question. Like a MySpace, how would you do it, In the event you went to start the next big thing? Well, there are plenty. In this report, I will share with you what I told John, with a bit more.
If you haven't already, you should re-evaluate all expenses on your video production company to determine if you're able to negotiate better terms with existing vendors or sign up with new vendors.
If sales are down, that won't improve. You have to improve that. Updates will not help the situation, if you are in the middle of several projects. They will slow you down which will allow you to be less rewarding. Purchasing equipment won't make a prospect want to do business with you. The quality of reputation and your work is what gets the phone. Ninety-nine percent of the time will not give a flip about what sort of cameras or software you use. They will only be thinking about the formats they can be provided by you after the project is complete.
Editing: This is an art form in itself. A talented editor will know how to choose the right shots, cut them together smoothly to tell the story, create a mood, teach a concept, and sell your product. Things to watch out for Bonuses are cuts from the same angle over go and over, hard cuts that don't make sense to the brain, etc..
It pulled out all the tricks in the book - over-animated titles, action shots, psychological winners and screamingly bad 80's guitar music. The type that immediately made you think of hair, make-up that was leery jumpsuits and event video production absurd. The result was an audience who spent the remainder of the night complaining about it and stopped watching.
Where do I need this? In my office, somewhere outside denver video production ? In a studio? Do they have you could try this out a studio? Is the studio big enough to accomplish what I want?
Okay, so we've got the cinematic focus. Let's add a bit of dynamism, with a Track & Dolly. Suddenly your camera doesn't just tilt up and down - it tracks, it moves - it glides. Sexy! Next, why not mix it up by using a steadicam? Suddenly you're liberated from the constraints of the static, and are free to experiment with whatever movements most suit your music video production.
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